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Christie’s to sell an almost unknown Van Gogh double-sided drawing – The Art Newspaper

Digital Pulse by Digital Pulse
April 3, 2026
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Christie’s to sell an almost unknown Van Gogh double-sided drawing – The Art Newspaper
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A pair of just about unknown Van Gogh sketches from the final weeks of the artist’s life has emerged. The double-sided sheet is to be bought by Christie’s in Paris on 17 April, with an estimate of €100,000-€150,000.

The drawings have solely been exhibited as soon as, for only a month in Argentina in 1959. A really transient entry on them appeared within the 1970 de la Faille catalogue of Van Gogh’s work, however with out illustrations; the sketches had been excluded from the 1980 Hulsker catalogue. Now that they’ve lastly emerged, their authenticity has been confirmed by the Van Gogh Museum.

Van Gogh’s Pickers of Peas (Cueilleuses de pois) (June 1890)

Christie’s

The primary aspect of the double-sided sheet depicts two teams of feminine pea pickers, bending over in a discipline. Pickers of Peas was drawn in Auvers-sur-Oise, simply north of Paris, the place Van Gogh lived from Might 1890 till his loss of life that yr on 29 July. At the moment peas had been grown within the fields between the primary highway and the River Oise.

We are able to get an thought of the scene which Van Gogh should have noticed from a portray by a barely earlier artist, Charles Beauverie. In 1876 he depicted feminine pea pickers in the exact same village. An engraving was made from one other comparable pea-picking scene by Beauverie and Van Gogh could properly have identified that print.

Charles Beauverie’s Choosing Peas at Auvers-sur-Oise (1876)

© Tomaselli Assortment, Lyon (Jérôme Tomasell)

On the reverse of Pickers of Peas is a panorama sketch, depicting two rows of timber on both aspect of a discipline. Hills and a cloud are within the background.

Van Gogh’s Research for a Panorama (Esquisse d’un paysage) (June 1890), the reverse of Pickers of Peas

Christie’s

The Pickers of Peas drawing has six color notations inscribed by Van Gogh, starting from “vert bleu” (inexperienced blue) to “jaune” (yellow). On the panorama, which is on the reverse of the pea pickers, there’s a single phrase, “violet”. These inscriptions present that Van Gogh had supposed to make use of his sketches as the idea for oil work.

No such work survive. Van Gogh could by no means have began engaged on the compositions or he could have deserted them. It is usually simply potential that he accomplished the work and so they have since been misplaced.

One oil portray which bears some superficial similarities to the panorama sketch is Les Vessenots in Auvers (June 1890). This was actually not painted from the sketch, but it surely may probably characterize the identical neighbourhood.

Van Gogh’s Les Vessenots in Auvers (June 1890)

© Museo Nacional Thyssen-Bornemisza, Madrid

The Christie’s double-sided drawing was first acquired by Dr Paul Gachet, who taken care of Van Gogh throughout his keep in Auvers-sur-Oise and cared for him after he shot himself within the chest. The physician was given the sketch by Van Gogh or acquired it simply after the artist’s loss of life. Dr Gachet apparently hung the sketch in his home, together with different Van Gogh drawings he owned.

Dr Gachet’s son, additionally known as Paul, bought the double-sided drawing in 1954. After passing by means of a Buenos Aires assortment, in 1990 it went to a Spanish proprietor, whose descendants are actually promoting the work at Christie’s.

Altogether ten of Van Gogh’s Auvers-sur-Oise sketches have color annotations, however no oil work based mostly on them are identified to have survived.

The truth that Van Gogh made these preparatory drawings for future work means that right now he had no intention of ending his life. Sadly, the work by no means appear to have been realised.

Different Van Gogh information

Conservator Marjan de Visser engaged on The Parsonage Backyard at Nuenen within the Spring (March 1884)

Groninger Museum, Groningen ({photograph} Denzel Feurich)

Van Gogh’s portray The Parsonage Backyard at Nuenen within the Spring (March 1884) went again on show this week on the Groninger Museum, within the north of the Netherlands, following its restoration after a theft. The portray had been stolen on 30 March 2020 whereas on mortgage to the Singer Laren museum. It was recovered on 11 September 2023 in Amsterdam, delivered in an Ikea bag.

The portray was restored earlier than this week’s redisplay. Two very small areas of loss on the backside of the image which had been broken throughout the theft had been stuffed and retouched. Discoloured outdated varnish was eliminated, making the image brighter.

Conservator Marjan de Visser additionally found that the face of the girl within the centre of the composition had been radically modified after the artist’s loss of life, by including her options. Van Gogh had given her a clean face, with no facial options (as he did often).

The lady’s face, earlier than restoration (with facial options added in 1903) and after restoration (as Van Gogh depicted her, in 2026)

In 1903, when the image was to be exhibited at Rotterdam’s Oldenzeel gallery, the mouth, nostril and eyes had been painted onto the face, in all probability by the beginner artist Andrianus van Loon. This was presumably executed to make the image extra marketable. Now the portray is as soon as once more on show on the Groninger Museum, nearer to how Van Gogh had supposed it to be.

Van Gogh’s The Parsonage Backyard at Nuenen within the Spring (March 1884), again on the wall after conservation

Groninger Museum, Groningen

Martin Bailey is a number one Van Gogh specialist and particular correspondent for The Artwork Newspaper. He has curated exhibitions on the Barbican Artwork Gallery, Compton Verney/Nationwide Gallery of Scotland and Tate Britain.

Martin Bailey’s current Van Gogh books

Martin has written quite a lot of bestselling books on Van Gogh’s years in France: The Sunflowers Are Mine: The Story of Van Gogh’s Masterpiece (Frances Lincoln 2013, UK and US), Studio of the South: Van Gogh in Provence (Frances Lincoln 2016, UK and US), Starry Evening: Van Gogh on the Asylum (White Lion Publishing 2018, UK and US) and Van Gogh’s Finale: Auvers and the Artist’s Rise to Fame (Frances Lincoln 2021, UK and US). The Sunflowers are Mine (2024, UK and US) and Van Gogh’s Finale (2024, UK and US) are additionally now accessible in a extra compact paperback format.

His different current books embody Residing with Vincent van Gogh: The Properties & Landscapes that formed the Artist (White Lion Publishing 2019, UK and US), which supplies an summary of the artist’s life. The Illustrated Provence Letters of Van Gogh has been reissued (Batsford 2021, UK and US). My Buddy Van Gogh/Emile Bernard supplies the primary English translation of Bernard’s writings on Van Gogh (David Zwirner Books 2023, UKand US).

To contact Martin Bailey, please e mail vangogh@theartnewspaper.com

Please be aware that he doesn’t undertake authentications.

Discover all of Martin’s adventures with Van Gogh right here



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